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Scott Drickey Photography

Editorial Street Wear Style | Still and Motion

May 9, 2017 | Photo

I shot this for an editorial. Dani Jo is a creative with skills in modeling and hair and makeup. She sent me a selfie of these incredible braids, which took seven-hours and three people to finish. I had to shoot her in some sort of streetwear style as a taking off point along with British attitude- Amy Winehouse or The Sex Pistols. I pulled clothes from Pretty in Patina but ended up only a granite top from Michelle Consume and these dope Converse brown leather kicks. Originally I lit with big sources cut back with negative fill for a good beauty base. She arrived and I wasn’t feeling it so I struck everything. The considered scope of shooting still and motion I had to audition strobe and continuous light sources. For the second change, I kept it simple and used a Kino Flo mounted low on a pigeon with a grid and Opal gel. I saved the JokerBug HMI and went outside on the dock for change three. It turned out to fit the clothing and feel right. I hope the piece helps get in front of more creatives. What I take away from this is how inspiration can change when you see something you didn’t consider when pre-visualize.






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Polaroid | Instantly Timeless

May 3, 2017 | Lighting

Polaroid 665 provided an instant study how of the light was playing with exposure and feel of a shoot. It was the only instant medium to use a negative, which one could preserve in sodium sulfite and print from. These moments are the positive seasoned over time. The patina is where the caustic jelly to fix the polaroid wasn’t applied well due to moving fast with a large format camera. Polaroid proved an invaluable tool while working with large format film. I adore the latent allure and miss the ninety seconds of anticipation. 

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Album Portraits | See Through Dresses

March 27, 2017 | Lighting

Alex Kirts is capable. He’s a bass player in See Through Dresses, designer, and tech weenie who can take a part the amp he plays through. Kirts approached me to do some portraits of the band. He told, “Just make us look cooler than we do”. I pre visualized shooting the group as individuals in a sort triptych anamorphic format lighting them in a kind of “Varga girl candy” high key technique. Alex explained the album artworkwas composed of mostly black and white design elements  and wanted my portraits to reflect the concept. Creative collaboration is what drives me and I decided to light low key “Candy” by using gels on all lights in pastel blue, green, and indigo. The band consists of  Nate Van Fleet, Sara Bertuldo, who create enigmatic melodies while Alex Kirts, and Mathew Carroll drive the velocity in the bottom end rhythm. They all came to the studio one night, where I turned up some deep house and we joked for quite a while before shooting. Ultimately we all had fun, which is what it’s all about. Most importantly after extensive post work, I realized what I had pre visualized and they were stoked. See Through Dresses is printing the album artwork now. “Horse Of The Other World” is due to drop in June 2017 on their label, Tiny Engines. I’m fortunate to receive a first listen. The music conveys growth in production as it’s very well recorded, mixed, and mastered.





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Still Life | Animating the Inanimate

January 6, 2017 | Photo

Still life is one of my specialties in that I have the opportunity to style what I shoot. One of my “Guilty Pleasures” is listening to an object- finding or fabricating background elements for conceptual shots. Lighting plays a paramount role in complimenting still life but shouldn’t dictate the approach. Glenn White is a drummer and fashion designer whose launching a new line, DRMHDFLY, focusing on new trends in “Hip Hop Culture” such as the snap back trucker’s cap and scoop cut shirt. He brought the clothes and accessories down to the studio and hung them on the rack. My initial reaction was to contrast- breaking away from traditional street wear imagery creating what I consider “Objects Of Desire” with high key lighting, styling sculptural forms and auditioning props that have a playful sophistication. Ultimately Glenn gave me complete creative freedom, which is a trust that I respect and rare. I organize my work by deciding which items lend themselves to props then shooting the largest objects first down to the smallest to work efficiently. Still Life is inherently very staged so I like to shoot a set up then reset breaking it apart- moving it in different directions to see perspectives I may not have retentively taken into consideration. Glenn said he’s excited moving forward to the next step producing his line, which is the best compliment I could receive. I’m passionate about every aspect of what I’m fortunate to do so- letting inspiration find me and seeking it. I left Glenn with an idea of shooting a Caucasian blonde girl with intricate big volume braids against a really simple background to show how clothes fit and feel. He’s down with it and we’ll move on.





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CASE STUDIES | Portrait | Sissy Davie

June 6, 2015 | Photo

Sissy walked into to my studio with a swagger and disregard for the establishment. She’s tough in the ring and knows exactly what she wants with an undeniable confidence. I was asked to shoot her for a National Rodeo Association. My job was to capture an image for a PR release. Typically, my objective is to capture an apparent appearance but with this subject, something struck me different. Most people have a preconceived notion of how a rodeo queen should appear. I found a different way. Her clothing options she brought, quickly spoke to me and gave me inspiration to see her through different set eyes. I quickly put aside choices, making an edit of her wardrobe and accessories on the clothing rack, which would play well to her beauty while not taking away from her “Thick Skin”. There were textures, attention to details, and style reminiscent of couture fashion. After talking to her she became more comfortable and opened up which inspired me to change my approach in lighting her. She needed to be outside in daylight under a large overhead diffusion with negative fill underneath her to cut extraneous light. The background was artificially lit “Hot White”, then I pulled back camera back a bit to reveal set to invoke a sense of a fashion shoot. This image was successful because of he collaboration of a team and ultimately having Sissy leaving wanting more and expressing that she really had fun. 20150613_sd_3763-Edit_1800x1200px

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